|
Feature or Format
|
Many Children’s
Writers Conferences
and Workshops
|
PCCWW
|
| Designed exclusively designed for savvy middle-grade and young-adult novelists. |
No
|
YES
|
| Congenial, “classroom size” group enjoys continuous close contact with top-notch faculty. |
No
|
YES
|
| Interactive, seminar-style workshop is 90 percent hands-on. |
No
|
YES
|
| Articulate teens offer adults target-age feedback, complementing teens-only sessions. |
No
|
YES
|
| Master classes (open critique clinics with faculty) maximize workshop time and learning. |
No
|
YES
|
| Before the event, writers select manuscripts from our peer anthology, then critique them using the workshop’s Tips-and-Guidelines Cover Sheet. |
No
|
YES
|
| Pre-workshop peer contact includes an annotated roster (“literary” bios), photo gallery, and an online forum for enrollees. |
No
|
YES
|
| In advance, the workshop offers readings and novel-crafting exercises to enhance enrollees’ submissions to faculty. |
No
|
YES
|
| Enrollees may submit up to 30 pages, or WHOLE novels (with synopsis) for in-person critiques by editor and/or agent. |
|
|
| Enrollees may submit opening and/or mid-novel chapters, or a full novel (all with synopsis) for faculty critiques. |
No
|
YES
|
| Writers’ pre-workshop email dialogues with the director offer a personal (and practical) touch. |
No
|
YES
|
| Writers who request manuscript critiques are matched with one or two faculty who are highly fluent in and receptive to that writer’s genre. Guaranteed. |
No
|
YES
|
| The workshop’s website offers exclusive interviews with faculty. |
No
|
YES
|
| Faculty agents and editors offer preferential treatment to enrollees’ submissions for more than one to three months after the event (usually, up to one year). |
No
|
YES
|
| An online newsletter and bulletin board forum maintain our congenial writers community. |
No
|
YES
|